WEBVTT FILE 1 00:04.900 --> 00:06.813 Hey, guys. How y'all doing today? 2 00:06.814 --> 00:08.476 My name is Leslie Brathwaite. 3 00:08.477 --> 00:12.543 I'm here with Mix With The Masters once again, doing another video for you guys. 4 00:12.544 --> 00:18.393 Today we're going to dive into a mix I did with Rita Ora, featuring Gunna. 5 00:18.394 --> 00:20.623 David Guetta is the producer. 6 00:28.300 --> 00:31.043 We always check our mixes in the car. 7 00:31.044 --> 00:34.753 Why not try to set my speakers up in the truck and mix in the truck? 8 00:34.754 --> 00:37.748 My Focal speakers were set up in the truck and I just went ahead 9 00:37.749 --> 00:40.063 and hooked up my laptop, had the Apollo. 10 00:40.064 --> 00:41.093 It actually worked out. 11 00:41.094 --> 00:44.373 I actually mixed some hit records in the truck. 12 00:44.374 --> 00:47.933 Cardi B's "WAP," Jack Harlow's "What's Poppin" and this record, 13 00:47.934 --> 00:50.173 the Rita Ora record that we're going to get into today. 14 00:50.174 --> 00:52.061 I mixed this record in the truck. 15 00:55.195 --> 00:59.564 One of my all-time favorite plug-ins in life, the Little Labs Voice of God. 16 00:59.565 --> 01:01.004 One of the best plug-ins ever. 17 01:01.005 --> 01:04.113 And let me just show you instead of telling you. 18 01:07.595 --> 01:08.634 That's off. 19 01:08.635 --> 01:10.326 This is on. 20 01:13.605 --> 01:17.967 Hard to hear if you don't really have some meat to your speakers. 21 01:19.365 --> 01:21.301 So that's off. 22 01:22.275 --> 01:24.123 That's on. 23 01:25.875 --> 01:29.945 It has a low end presence that, oh man, if you're hearing this 24 01:29.946 --> 01:32.807 on the right kind of speakers, you heard it. 25 01:40.300 --> 01:44.798 You can achieve a little bit of attack with the SPL, the Transient Designer. 26 01:44.799 --> 01:47.093 It's subtle, but it was enough. 27 01:51.400 --> 01:55.751 You hear a little pop on there when I release it, when I put the plug-in in. 28 01:55.752 --> 02:00.138 So I needed that attack to kind of give me that feeling I knew he would like. 29 02:04.300 --> 02:07.425 Even if it's a terrible rough mix, and let's say the hi-hats 30 02:07.426 --> 02:11.807 are blaringly loud, I know that's an element that would be missed 31 02:11.808 --> 02:15.018 if I now do a mix and the hi-hats are super low. 32 02:15.019 --> 02:18.748 For me, I try to keep the vibe of what they fell in love with, 33 02:18.749 --> 02:22.152 what they were vibing to, that's kind of my approach.