WEBVTT

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- [Ceri] We're here today with
Steve Genewick at Capitol's Studio C

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for Mix With The Masters to explore going
from a stereo session into Dolby Atmos.

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- [Steve] So, this is a record
I did this past summer.

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It's an artist named Staci Griesbach.

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This is a song called "White Lightning."

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It's actually an old George Jones song
that we've done a jazz arrangement of.

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When I get into the mix,
because now this reverb is coming out

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a million places, I'll probably have
to adjust the levels,

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but that's part of mixing.

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This does not port right over.

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You don't take a stereo mix and go
whiz bang, computer stuff

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and suddenly you have an Atmos mix.
You actually have to mix it.

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The more transient your source is,
the closer you keep it "binaurally."

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It has nothing to do with
where you put it in the room.

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More ethereal, less transient stuff,
you can start pushing it out

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in the binaural.

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A solo I probably don't want
in dead center,

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so a solo, what I might do
is something... not give it an object,

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put it in the Front Aux, we can kind of
pull it into the room this way.

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A little bit in the Side Forward,
the Side Back,

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which is actually the Side speakers.

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We all want to do Atmos mixing.

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We all want to do it in our own studios.

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You can do it in your home studio.

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There is some investment you have to make.

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There's some minimums you have to have.

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You can do it on one computer.

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You can use a Dolby Audio Bridge
and Pro Tools, it all works seamlessly.