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Welcome to Motorbass Studio
in Paris, France.

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My name is Shawn Everett.

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Thank yo so much for
joining me here today.

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I'm not sure when
you're seeing this, but in reality,

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an album that I've been
working on for a very long time

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by the band The War On Drugs
just came out in my version of reality.

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We were at a studio and they had
one of those classic old vocoders.

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The trigger of a vocoder uses your vocal,
but in this case, we were sending

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percussion into the vocoder,
which gives you this kind of cool sound.

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When I recorded the vocal,
I had a binaural head in the room.

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The reason that this head is useful
is because now, if I send it into a plate,

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this is a useful way to send an effect,
because the louder the person is,

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the more effect you get.

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There is no rule.
As far as I'm concerned, there is no rule.

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If you want to have 15 Studers on your
master bus, that's fine with me

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as long as it sounds cool
at the end of the day.

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Wherever there's distortion,
I always say, "Get more."