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Hi, it's Tchad Blake here,
again.

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But this time, I'm in a brand-new studio,
it's pretty awesome.

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It's the Mix With The Masters Studio
in Paris, and I've brought a song

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by an artist who goes
by the name of Queen Kwong.

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I often use it
just like that.

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Just a tiniest little bit of pushing up,
you can hear the snare

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get a little bit
crunchier.

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I've done it, where I've had songs,
which I just like no mid-range on it.

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When the kick drum hits,
it is really just like a...

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It's quite a beautiful tone,
but is that going to translate

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onto a smartphone?

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Probably not.

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But, if you add in a little distortion and
listen at a low level on a smaller speaker

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if you can, you can usually
get some harmonics

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that'll at least
show its presence

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without compromising that sound
that you have, it can be very dull.

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As I'm listening, I'm doing
less and less and less

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until I play it from the top and I'm ready
to do a move, and I get to the end and go,

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"I think there was just this one
little vocal move I wanted to make or..."

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And then I go and hit record,
and then at that moment,

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sometimes I hit record and literally
5 seconds and then go,

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"Oh shit, I gotta
bring this down."

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That's not too bad,
but we all know more is better.