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- [Jaycen] Always think how I can
make it have a personality.

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Six, seven out of 10 people
will be like, V1, it's done.

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I love it.

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But then, will you have
a client for life, though?

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- [Dave] If you don't put a limiter
on your Stereo Bus to get it loud

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It's already too late.

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You've already
committed to the mix.

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But if you use a limiter,
mix into it.

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- Learning the most
important thing,

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obviously is gain structure,
but transients.

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Ask yourself,
how do I get it that loud

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and yet keep that transient
to give me that life?

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And as you can see,
it's now at two to one.

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Well, now it's 30 and before
it was a little bit quicker.

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Why do you think
I changed it?

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Transients,
I needed more.

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The second thing which
we're going to be going into next,

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which I think a lot of you are here for,
is the solid low end,

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that's bam, that shit is
fucking subbing.

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You can have the most
bangingest 20 or 30 hertz.

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If you
can't hear it,

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and it's taking up room
with voltage, you're losing.

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So how do I keep that low end energy
without wasting a frequency

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that I can't even hear
and the R Bass is the key with that.

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Drag the track down,
isolate the frequency with the filter,

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squash the shit out of it,
and slowly add it back in.

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When you do it like that,

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you don't have the peaks
with that frequency you're looking for.

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- That's one of the greatest pieces
of information you're going to get.

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- You got to look at sound
on how your ear perceives it.

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I want something
back in the mix.

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Take away the high end.
What's the first thing you hear?

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The low end in a car when
you got the trunk and it's just...

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You put the top back
into it, the trunk is open.