Trailer
21 min

Part 1

Production, arrangement, digital vs. tape recording, rough vs. final mix, session overview
20 min

Part 2

Mix treatment, drum compression, gating, EQ, reverb, bit-crush, samples, pitch-shift, re-amp
18 min

Part 3

Tambourine, bass guitar, synth, keys, pad, flute, guitars, resonance, ambience, rear buss
13 min

Part 4

Strings, progression, supportive parts, guitar solos, vocal inserts & effects, pitch-shift, spread
19 min

Part 5

Parallel vocal processing, blending whispers, auto-panning, clip gain, level automation

Mixing

Broken Bones

CRX

Andrew Scheps

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Song : Broken Bones

Duration:21 min / 1h34 Subtitles: English, Spanish

Description

Production, arrangement, digital vs. tape recording, rough vs. final mix, session overview

Show more

Trailer
21 min

Part 1

Production, arrangement, digital vs. tape recording, rough vs. final mix, session overview
20 min

Part 2

Mix treatment, drum compression, gating, EQ, reverb, bit-crush, samples, pitch-shift, re-amp
18 min

Part 3

Tambourine, bass guitar, synth, keys, pad, flute, guitars, resonance, ambience, rear buss
13 min

Part 4

Strings, progression, supportive parts, guitar solos, vocal inserts & effects, pitch-shift, spread
19 min

Part 5

Parallel vocal processing, blending whispers, auto-panning, clip gain, level automation

Comments

(7)

John Francis November 30, 2020 at 4:31 AM

He is by far a great teacher.....however at 4 minutes while explaining his rear Buss he said attack twice while explaining his attack and Release on the 1176, anyone else catch that
Hugh Jones May 20, 2021 at 3:21 PM

Yes, I noticed that too. He said "Fast attack and fast attack" when he meant "Fast attack and slow release". But I figured it was just a verbal typo. Nice series! Learned a lot :-)
Robert Bittner October 14, 2018 at 3:14 PM

Absolutely agree, Srdjan! Very well presented mix, for a truly rocking track. I'd love to hear what the community here thinks of the final master of this track. I’ve been listening to the whole CRX album and can’t help feeling that the whole thing has been seriously overcooked in mastering. It may just be my personal taste — or maybe this album hit right at the end of the “loudness wars” — but I really wish the mastering engineer, who has many very well-mastered tracks (including Grammy-winning tracks) to his credit, had backed off a bit. Way too much pumping for me.
Ikxnnx ikxnnx August 16, 2020 at 5:34 AM

he's really good at explaining

George Arrows January 1, 2022 at 12:37 PM

agreed totally unecessary squashing on the master. Andrew's mix was there already.
Srdjan Bojic September 30, 2018 at 9:05 PM

Probably one of the best mixing teachers!
Hugh Jones May 20, 2021 at 3:21 PM

Yes him and CLA both very good.

About Andrew Scheps

Andrew Scheps has an incredible career of achievements, which incorporates a credit list featuring Red Hot Chili Peppers, Adele, Metallica, Black Sabbath, Michael Jackson, Robbie Robertson, Justin Timberlake, Iggy Pop, U2, Jay-Z, and many more, as well as several Grammy Awards. Scheps’ work on the Red Hot Chili Pepper’s album Stadium Arcadium in 2005 was a turning point for his approach to engineering. He found the band’s decision to record and mix entirely in analogue so refreshing that he fitted...

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