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02 min -
19 minProject background, improvisation, rough mix, arrangement, A-B vs. reference, panning, samples, resonance
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20 minToms, distortion, EQ, drum buss, compression, multi-band limiting, transient design, phase relationships
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23 minHarmonic presence, colour coding, gating, de-essing, bass & electric guitars, filtering, modulation, reverb
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11 minSynthesizer, stereo spreading, increasing ambiance, framing the vocal, cassette emulation, delays
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15 minVocal excitement, sibilance control, dynamics, mic & amp emulation, magnetic tape character, effects
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11 minWorkflow discussion, typical approach, pre-mix groundwork, experimenting, communication with artists
Mixing
I Know Who You Are
Queen Kwong
Song : I Know Who You Are
Duration:02 min / 1h43 Subtitles: English, Spanish, Italian, Portuguese, French, Chinese
Description
Tchad Blake takes the stage for our debut series filmed at the MWTM flagship studio in Paris!
In this installment, the extraordinary mixer continues to push sonic boundaries as he shares techniques applied to a recent project — the 2022 single ‘I Know Who You Are’ by Queen Kwong. The experimental indie rock piece is well-suited to Blake, who left his recognisable sonic imprint on the record and shares exactly how he did so, working entirely ‘in the box’.
Tchad gives an overview of the artist and project, plays the rough mix, and explains his typical approach to any session he receives. He states how he is unafraid to follow his own vision, often deviating far from the rough mix then making changes later upon client request. He also emphasises the difference he sees between A-B’ing and referencing, and why it’s important to distinguish.
Aside from discussing his general workflow, Blake goes into detail on creative processing, revealing how he adds presence with harmonics, increases ambience, enhances transients, and much more!
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02 min
-
19 min
Project background, improvisation, rough mix, arrangement, A-B vs. reference, panning, samples, resonance
-
20 min
Toms, distortion, EQ, drum buss, compression, multi-band limiting, transient design, phase relationships
-
23 min
Harmonic presence, colour coding, gating, de-essing, bass & electric guitars, filtering, modulation, reverb
-
11 min
Synthesizer, stereo spreading, increasing ambiance, framing the vocal, cassette emulation, delays
-
15 min
Vocal excitement, sibilance control, dynamics, mic & amp emulation, magnetic tape character, effects
-
11 min
Workflow discussion, typical approach, pre-mix groundwork, experimenting, communication with artists
