TCHAD BLAKE

the arctic monkeys

the black keys

tom waits

sheryl crow

suzanne vega

Tchad Blake has an impressive discography, having worked with numerous artists and musicians, including Arctic Monkeys, State Radio, Apartment 26, Elvis Costello, Peter Gabriel, Pearl Jam, Tom Waits, Sheryl Crow, Crowded House, Tracy Chapman, The Dandy Warhols, The Black Keys, U2, and The Pretenders, amongst many others. Blake to date has won five Grammy Awards, including Best Engineered Album, Non-Classical and Best Rock Album for Sheryl Crow's The Globe Sessions (1998), Best Engineered Album, Non-Classical for his work on Suzanne Vega's Beauty & Crime (2007), and two Grammys for his work with The Black Keys on 2010's Brothers. He is well known in the industry for creating original sonic textures (often with unorthodox gear, such as everyday objects like wooden pipes, metal cans, and cardboard boxes), and constantly shifting mixes, as well as his use of binaural recording, resulting in the unique sound his name connotes.

Although Blake made his name by pushing the sonic limits of the analogue domain, since 2005, he has worked almost entirely in the box. He has a Pro Tools HD rig with an Icon D Control, plus a choice selection of loads of guitar pedals and a few pieces of outboard. Blake comments, “I’m 99.8% in the box now, as opposed to mixing off tape through a vintage API console at The Sound Factory or the very large SSL at Real World Studios in the past. The 0.2% represents instruments I add or pedal-style effects I use.”

TCHAD BLAKE

the arctic monkeys

the black keys

tom waits

sheryl crow

suzanne vega

Tchad Blake has an impressive discography, having worked with numerous artists and musicians, including Arctic Monkeys, State Radio, Apartment 26, Elvis Costello, Peter Gabriel, Pearl Jam, Tom Waits, Sheryl Crow, Crowded House, Tracy Chapman, The Dandy Warhols, The Black Keys, U2, and The Pretenders, amongst many others. Blake to date has won five Grammy Awards, including Best Engineered Album, Non-Classical and Best Rock Album for Sheryl Crow's The Globe Sessions (1998), Best Engineered Album, Non-Classical for his work on Suzanne Vega's Beauty & Crime (2007), and two Grammys for his work with The Black Keys on 2010's Brothers. He is well known in the industry for creating original sonic textures (often with unorthodox gear, such as everyday objects like wooden pipes, metal cans, and cardboard boxes), and constantly shifting mixes, as well as his use of binaural recording, resulting in the unique sound his name connotes.

Although Blake made his name by pushing the sonic limits of the analogue domain, since 2005, he has worked almost entirely in the box. He has a Pro Tools HD rig with an Icon D Control, plus a choice selection of loads of guitar pedals and a few pieces of outboard. Blake comments, “I’m 99.8% in the box now, as opposed to mixing off tape through a vintage API console at The Sound Factory or the very large SSL at Real World Studios in the past. The 0.2% represents instruments I add or pedal-style effects I use.”

Tchad Blake

Various

Mixing Template #1

Series | 0h36

Tchad Blake

Various

Workshop #7

Series | 0h42

Tchad Blake

Jean Thevenin "VARIOUS"

Tracking drums #2

Series | 2h04

Tchad Blake

Arctic Monkeys "R U Mine ?"

Workshop #2

Series | 0h30

Tchad Blake

Fiction Park "Mechanical Moon"

Deconstructing a Mix #22

Series | 2h28

Tchad Blake

HER "Love & Hate"

Deconstructing a Mix #14

Series | 2h10

Tchad Blake

The Last Shadow Puppets "Bad Habits"

Inside the Track #1

Series | 1h25

Participate to exclusive exchanges with the Masters during our special webinars.

Book now

See Webinars

Get full access to all videos. Book pro members webinars & one-day seminars and get special offers from our partners.

$329/ Year

Become pro member

Stay in touch with our comunity

Get full access to all videos. Book pro members webinars & one-day seminars and get special offers from our partners.

$329/ Year

Stay in touch with our comunity