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20 minSession voices, rig setup, strings, samples, percussion, player & mic positions, formats, ITB vs. console
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17 minAtmos routing, CPU efficiency, sends, returns, reverb types, S6 configuration, VCAs, imaging, EQ
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19 minWoodwind, choirs, low harmonics, taming harshness, multi-band compression, synths, managing density
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21 minHarp, Celeste, brightness, delay, envelope modification, time alignment, sub bass, mix deliverables
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21 minSurround & atmos stems, LFE channel, brass, groups, limiting, down-mixing, stereo master, outboard chain
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20 minLevel automation, groove, dynamics, movement, feathering long reverb, mix comparison to reference
Mixing
Pirates of the Caribbean
Hans Zimmer
Song : Pirates of the Caribbean
Duration:00 min / 2h01 Subtitles: No subtitles available
Description
Join Alan Meyerson for a deep dive into one of modern cinema’s most famous movie scores – the theme from ‘Pirates of the Caribbean’! Throughout this series, the renowned engineer shares the details of how he recorded and mixed the outstanding piece of music, originally composed by Hans Zimmer. Meyerson takes you through the enormous multi-track session comprising 745 voices across three Pro Tools rigs, giving you an exclusive listen to parts on brass, woodwind, strings, percussion, and so much more. He explains how he chose to place the performers in the studio for tracking, the microphones used, and their positioning. You’ll learn how he configures his Avid S6 control surface, routes his sends and returns, groups to VCA faders, and pans signals for translation across various formats. He reveals a range of mix techniques implemented to enhance impact, tighten low end, reduce harshness, increase depth, and much more!
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20 min
Session voices, rig setup, strings, samples, percussion, player & mic positions, formats, ITB vs. console
-
17 min
Atmos routing, CPU efficiency, sends, returns, reverb types, S6 configuration, VCAs, imaging, EQ
-
19 min
Woodwind, choirs, low harmonics, taming harshness, multi-band compression, synths, managing density
-
21 min
Harp, Celeste, brightness, delay, envelope modification, time alignment, sub bass, mix deliverables
-
21 min
Surround & atmos stems, LFE channel, brass, groups, limiting, down-mixing, stereo master, outboard chain
-
20 min
Level automation, groove, dynamics, movement, feathering long reverb, mix comparison to reference
Alan Meyerson
Get into the studio with one of the world’s leading immersive mix engineers from February 19-25. Alan Meyerson has reshaped the sound of contemporary cinema, having mixed the iconic soundtracks for Dune, Interstellar, The Dark Knight, Pirates of the Caribbean and more. Early next year , Alan will lead a seven-day program of mixing workshops and feedback sessions designed to elevate your creative practice. All participants will enjoy deluxe accommodation and catering during the event, creating a...
About Alan Meyerson
Alan Meyerson is one of the greatest movie scoring mixers of the modern era. With 200+ credits on IMDb and double that amount on AllMusic.com, Meyerson has an unparalleled wealth of experience in engineering and mixing in general, and score mixing in particular. He has worked with leading film score composers like James Newton Howard, John Powell, Harry Gregson-Williams, and Danny Elfman, and has a particularly long-standing working relationship with the great Hans Zimmer that continues to this...
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