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01 min -
11 minThe role of a re-recording mixer, Ron’s background, meeting Alan, pre-dubbing, automation, ADR
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21 minScore mixer deliverables, blending music with other sonic elements, immersion without distraction
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16 minRon’s studio, adapting workflow, translation, formats, dynamics, space, lavalier & boom signals, clip gain
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22 min‘Dune’ stem session, mix types, Foley, dialog, sound effects & design, perspective changes, cues
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13 minTracks mixed by Alan, lack of orchestra, EBow guitars, routing for Atmos, committing to ‘boxes’
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14 minInstrument panning, multi-band compression, ‘futzing’, ‘worldizing’, parallel treatment, plug-ins, recap
Re-Recording Mixing
Dune
(01 min / 1h42)Ron Bartlett
- Mixing
MWTM presents its debut series on the art of post-production engineering! This release features the eminent re-recording mixer Ron Bartlett, accompanied at his private studio by score mixer Alan Meyerson. The installment focuses mainly on Bartlett’s work, with Meyerson assuming the role of interviewer and contributor.
You will learn about Ron’s approach and techniques for blending music with dialogue, effects, and Foley sound. He often receives a score mix project from Alan, which was the case with ‘Dune’, the 2021 Academy Award-winning film highlighted in this series. Bartlett takes you through the stem session, explaining group contents, routing, placement, and processing.
He discusses his primary objective as a dubbing mixer – to blend the material in a way that appears seamless and immersive without causing any sonic distraction to the viewer. Further to exploring ‘Dune’, the pair discuss other projects they have collaborated on, and how their workflows are different yet complementary to one another.
Subtitles in anglais, espagnol, italien, portugais, russe, japonais, français, chinois
About Ron Bartlett
“Having been a musician all my life, sound has always been a huge part of my work and art. Getting the chance to collaborate with great Directors, Editors and Composers has been a fantastic thing to be a part of. I love being creative, watching and listening to a film come together with a great mix.” Ron Bartlett started in the film business in sound editorial working on films like “Die Hard”, “Total Recall”, “Star Trek V” and “Beauty and the Beast”. He then turned his talents to mixing film sound...