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11 minProject overview, live room features, separation, musician layout, mic choice & positioning
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11 minMic preamps, bass compression, console, signal flow, metering, input & monitor sections
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17 minHeadphone mixes, secondary console, reverb type & settings, Pro Tools prep & workflow
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14 minBand performance, take playback, commentary from musicians
Recording
John Beasley MONK'estra
Song :
Duration:17 min / 55 min Subtitles: English, Spanish, Portuguese, Chinese
Description
Step inside the world-famous Capitol Studios to witness the rare occurrence of a big-band recording session! Join the iconic Al Schmitt and renowned Capitol engineer Steve Genewick as they track MONK'estra, the band of jazz pianist and composer John Beasley. In the Studio A live room, the duo show where the musicians will be sat, explain how to achieve separation, and reveal their microphones of choice plus suitable alternatives. On the other side of the glass, you'll see what preamps are favoured depending on the source, and learn about the entire signal flow implemented for the session. Genewick discusses the sends for headphone mixes and effects, shares reverb settings, and gives a few useful tips for Pro Tools efficiency. Al & Steve proceed to record the sixteen musicians live through the Neve 88RS, the result of which sounds almost like a finished record!
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11 min
Project overview, live room features, separation, musician layout, mic choice & positioning
-
11 min
Mic preamps, bass compression, console, signal flow, metering, input & monitor sections
-
17 min
Headphone mixes, secondary console, reverb type & settings, Pro Tools prep & workflow
-
14 min
Band performance, take playback, commentary from musicians
About Al Schmitt
During an astonishingly long career, Schmitt has won 23 Grammy Awards, making him the most successful engineer/mixer in Grammy history. During his career, Al has recorded and mixed more than 150 gold and platinum albums and was inducted into the TEC Awards Hall of Fame in 1997. He received the Grammy Trustees Lifetime Achievement Award in 2006. Schmitt’s credits range back to the 1950s, when he worked with Leonard Feather, Marty Paich, and Henry Mancini. His credit list at Allmusic contains over...
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