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18 minStudio, equipment, signal flow, stems, grouping, monitors, reference mix, approval stages
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19 minLow end support, subtractive EQ, reverb, subharmonic synthesis, compression, distortion
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22 minFeature instruments, reflections, decay, convolution vs. algorithmic reverb, mix buss chain
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19 minSurround delay, adding depth, harmonic excitement, multi-band compression, release times
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13 minWriting automation, infusing energy in the music, subtle enhancement of reference mix
Mixing
The Man In High Castle
Dominic Lewis
Song : The Man In High Castle
Duration:19 min / 1h32 Subtitles: English, Spanish
Description
Low end support, subtractive EQ, reverb, subharmonic synthesis, compression, distortion
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18 min
Studio, equipment, signal flow, stems, grouping, monitors, reference mix, approval stages
-
19 min
Low end support, subtractive EQ, reverb, subharmonic synthesis, compression, distortion
-
22 min
Feature instruments, reflections, decay, convolution vs. algorithmic reverb, mix buss chain
-
19 min
Surround delay, adding depth, harmonic excitement, multi-band compression, release times
-
13 min
Writing automation, infusing energy in the music, subtle enhancement of reference mix
About Alan Meyerson
Alan Meyerson is one of the greatest movie scoring mixers of the modern era. With 200+ credits on IMDb and double that amount on AllMusic.com, Meyerson has an unparalleled wealth of experience in engineering and mixing in general, and score mixing in particular. He has worked with leading film score composers like James Newton Howard, John Powell, Harry Gregson-Williams, and Danny Elfman, and has a particularly long-standing working relationship with the great Hans Zimmer that continues to this...
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