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02 min -
05 minAtmos preparation, session overview, stems
Bounce Factory, Dolby Atmos Renderer
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
09 minAtmos template, binaural rendering, timecode, busses, routing, loudness
Avid BBD Delay, Eventide H3000 Factory, iZotope RX 9, Dolby Atmos Binaural Settings, Dolby LTC Generator, Brainworx bx_digital V3, UADx Pultec EQP-1A, Eventide Tverb
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
06 minPanning, divergence, spatialization, delay, reverb,
Dolby Atmos Renderer, Avid AutoPan, The Cargo Cult Slapper, Avid D-Verb
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
12 minLoudness, LFE channel, drums, percussion, bass
NUGEN VisLM 2, Decibel, Dolby Atmos Renderer, Fabfilter Pro-Q3
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
08 minHorns, sitar, piano, spatialization, downmix compatibility
Dolby Atmos Renderer, Waves Scheps Omni Channel 2, NUGEN Halo Upmix
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
09 minKeyboards, objects, automation, keyboards, phantom center
Dolby Atmos Renderer
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
10 minBacking vocals, objects, movement, automation, spatialization
Dolby Atmos Renderer, The Cargo Cult Spanner
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
07 minMixing workflow, headphones, binaural rendering, head tracking, getting started with Atmos
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
08 minReference mixes, bass calibration, LFE, dynamics, future of Atmos
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience.
Mixing
David
Low Roar
Song : David
Duration:02 min / 1h22 Subtitles: English, Spanish, French
Description
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience.
Explore the boundaries of Dolby Atmos with Andrew Scheps and learn how to transform a stereo mix into a multidimensional music experience. The Grammy Award-winning engineer walks through his immersive mixing workflow, sharing his unique approach to panning, automation, and binaural translation.
The series begins with a breakdown of the fundamentals of Atmos. Andrew explores his best practices for session preparation, signal routing, and spatialization, sharing effective strategies for upmixing in the immersive sound field. Viewers will discover all of his favorite plugins and processing techniques as he expands the original recordings into three dimensions.
As he works through the mix, Scheps slowly delves deeper into the advanced aspects of immersive audio. He unpacks his approach to binaural encoding, loudness optimization, and advanced automation, showing you how to manage complex multi-channel environments with flexibility and ease. Whether you are a seasoned Atmos engineer or just getting started, this series will inspire you to take the next step in your mixing practice.
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-
02 min
-
05 min
Atmos preparation, session overview, stems
Bounce Factory, Dolby Atmos Renderer
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
09 min
Atmos template, binaural rendering, timecode, busses, routing, loudness
Avid BBD Delay, Eventide H3000 Factory, iZotope RX 9, Dolby Atmos Binaural Settings, Dolby LTC Generator, Brainworx bx_digital V3, UADx Pultec EQP-1A, Eventide Tverb
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
06 min
Panning, divergence, spatialization, delay, reverb,
Dolby Atmos Renderer, Avid AutoPan, The Cargo Cult Slapper, Avid D-Verb
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
12 min
Loudness, LFE channel, drums, percussion, bass
NUGEN VisLM 2, Decibel, Dolby Atmos Renderer, Fabfilter Pro-Q3
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
08 min
Horns, sitar, piano, spatialization, downmix compatibility
Dolby Atmos Renderer, Waves Scheps Omni Channel 2, NUGEN Halo Upmix
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
09 min
Keyboards, objects, automation, keyboards, phantom center
Dolby Atmos Renderer
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
10 min
Backing vocals, objects, movement, automation, spatialization
Dolby Atmos Renderer, The Cargo Cult Spanner
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
07 min
Mixing workflow, headphones, binaural rendering, head tracking, getting started with Atmos
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience. -
08 min
Reference mixes, bass calibration, LFE, dynamics, future of Atmos
The audio format for this series is a binaural stereo mix. We invite you to listen on headphones for the best viewing experience.
About Andrew Scheps
Andrew Scheps has an incredible career of achievements, which incorporates a credit list featuring Red Hot Chili Peppers, Adele, Metallica, Black Sabbath, Michael Jackson, Robbie Robertson, Justin Timberlake, Iggy Pop, U2, Jay-Z, and many more, as well as several Grammy Awards. Scheps’ work on the Red Hot Chili Pepper’s album Stadium Arcadium in 2005 was a turning point for his approach to engineering. He found the band’s decision to record and mix entirely in analogue so refreshing that he fitted...
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