Part 1

Puig demonstrates his use of certain tools and accessories to prepare a drum kit.

Part 2

Puig discusses his favourite drum microphones, and lists alternative options.

Part 3

After considering the acoustic space, Puig elaborates on his microphone positioning choices.

Part 4

Puig determines signal polarity, then reveals his analog gear used for treatment.

Part 5

Puig details each signal processing chain and its parameter settings.

Part 6

Puig auditions the raw and treated results for you to hear.