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01 min -
17 minDifferent approaches, overanalysing, managing expectations, broadcast compression, client relations
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14 minMastering room, speakers, outboard gear, plug-ins, console, DAW, purpose of each tool, sample rates
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15 minMastering from half inch tape – ‘Royal Morning Blue’ by Damon Albarn
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13 minMetering, streaming services, targeting a demographic, different tastes, mixer relations, rough master template
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14 minMastering from a digital file – ‘Hannah’ by Fete Sad Girls
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14 minMix versions, mastering rates, fixing problems, artificial intelligence, controlling artists, flexibility, loudness
Mastering
Royal Morning Blue & Hannah
Damon Albarn & Fete Sad Girls
Song : Royal Morning Blue & Hannah
Duration:14 min / 1h31 Subtitles: English, Spanish, Portuguese, Italian, Chinese, French
Description
Mastering room, speakers, outboard gear, plug-ins, console, DAW, purpose of each tool, sample rates
Show more
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-
01 min
-
17 min
Different approaches, overanalysing, managing expectations, broadcast compression, client relations
-
14 min
Mastering room, speakers, outboard gear, plug-ins, console, DAW, purpose of each tool, sample rates
-
15 min
Mastering from half inch tape – ‘Royal Morning Blue’ by Damon Albarn
-
13 min
Metering, streaming services, targeting a demographic, different tastes, mixer relations, rough master template
-
14 min
Mastering from a digital file – ‘Hannah’ by Fete Sad Girls
-
14 min
Mix versions, mastering rates, fixing problems, artificial intelligence, controlling artists, flexibility, loudness
About John Davis
John Davis is a British audio mastering engineer from London, U.K. He played in bands throughout his time at secondary school, then applied for a job at the BBC after sixth form. Davis became a clerk to a Radio 2 producer, recording cassettes of broadcasts off-air. He later moved to the Current Recordings Library, then CBS Studios tape library, where he began working in Mastering, starting in a role involving cassette tape duplication. Mastering engineer Beryl Ritchie would delegate jobs to...
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