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12 minRhythm section balance, session management, drum triggers, leakage control, notch EQ
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17 minTom-tom edits and filtering, cymbal compression, shelf EQ, gain staging, phase coherency
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10 minElectric bass and guitar focus, amplifier emulation, EQ, compression, distortion
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16 minVocal focus, console saturation, EQ, reverb, delay, flanging, automation, stereo modulation
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07 minConsole level calibration, VCA group trim, three-mix comparison (original, hybrid, ITB)
Mixing
Fat Lip
Sum 41
Song : Fat Lip
Duration:07 min / 1h03 Subtitles: English, Spanish, Portuguese
Description
Console level calibration, VCA group trim, three-mix comparison (original, hybrid, ITB)
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12 min
Rhythm section balance, session management, drum triggers, leakage control, notch EQ
-
17 min
Tom-tom edits and filtering, cymbal compression, shelf EQ, gain staging, phase coherency
-
10 min
Electric bass and guitar focus, amplifier emulation, EQ, compression, distortion
-
16 min
Vocal focus, console saturation, EQ, reverb, delay, flanging, automation, stereo modulation
-
07 min
Console level calibration, VCA group trim, three-mix comparison (original, hybrid, ITB)
About Tom Lord-Alge
Tom Lord-Alge, the younger brother of mix engineer Chris Lord-Alge, is a 3 time Grammy Award winning producer and mix engineer. One of Tom’s first major projects was the Multi-Grammy Award winning album Back In The High Life by Steve Winwood, for which Tom earned his first of two Best Engineered Recording Grammy Awards. During this time Tom worked with such artists as Peter Gabriel, Phil Collins, Billy Joel, OMD, Jeff Beck, Chaka Kahn, Level 42, Peter Cetera, Go West, Michael McDonald and Rick Astley....
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