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01 min -
17 minUTA console, double mix buss, analog chain, recalls, clocking, beating the demo
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15 minMix template, inspirations, lead vocal split compression, kick drum processing
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14 minFurther kick treatment – gate, phase, alignment, parallel distortion, compression, EQ
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21 minSnare inserts, kick & snare busses, EQ, compression, shelving filters on guitar
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18 minBass guitar blend & treatment, analog mix buss EQ, harmonics, excitement, compression
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16 minLead vocal multing, compression, limiting, plug-ins & hardware, parameters, LV blend
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14 minVocal print track, two LV busses, 'Combiner' aux, sends, BV compression, overall balance
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13 minDrum compression & harmonic enhancement, other aux tracks, parallel processing
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22 minPrint track chain, scene changes, plug-in automation, transitions, section levels
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14 minBV reverb & EQ, balancing guitars, solo compression, vocal send & level automation
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14 min'Drums Dirt’ aux track automation, full track play-through, final tweaks
Mixing
The Other Side
Bea Munro
Song : The Other Side
Duration:01 min / 3h06 Subtitles: No subtitles available
Description
Join us at Rocket Carousel studio for an extensive series with the multi-talented Greg Wells! Throughout these eleven videos, the Grammy award-winning producer dives into the multi-track recording session of ‘The Other Side of Fear' by artist Bea Munro. Wells takes you through his hybrid setup that includes a bespoke Undertone Audio console, a selection of outboard gear, and various plug-ins within Pro Tools. He proceeds to mix the project from scratch, revealing his mix template and processing techniques for live drums, electric guitars, bass, vocals, and the mix buss. You'll see how he uses both hardware and software tools for EQ, compression, harmonic excitement, distortion, and more, in both direct and parallel applications. Greg builds a static mix, then performs plug-in and level automation until he reaches a point at which he would like the artist to hear the record.
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01 min
-
17 min
UTA console, double mix buss, analog chain, recalls, clocking, beating the demo
-
15 min
Mix template, inspirations, lead vocal split compression, kick drum processing
-
14 min
Further kick treatment – gate, phase, alignment, parallel distortion, compression, EQ
-
21 min
Snare inserts, kick & snare busses, EQ, compression, shelving filters on guitar
-
18 min
Bass guitar blend & treatment, analog mix buss EQ, harmonics, excitement, compression
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16 min
Lead vocal multing, compression, limiting, plug-ins & hardware, parameters, LV blend
-
14 min
Vocal print track, two LV busses, 'Combiner' aux, sends, BV compression, overall balance
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13 min
Drum compression & harmonic enhancement, other aux tracks, parallel processing
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22 min
Print track chain, scene changes, plug-in automation, transitions, section levels
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14 min
BV reverb & EQ, balancing guitars, solo compression, vocal send & level automation
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14 min
'Drums Dirt’ aux track automation, full track play-through, final tweaks
About Greg Wells
Few producers in music can rival the pedigree and resume of Grammy-winning producer, mixer, songwriter and multi-instrumentalist Greg Wells. The Police’s own Stewart Copeland once dubbed Wells “the Swiss Army knife” of the industry, as his wide range of skills has crafted hits for everyone from Katy Perry and Adele to Timbaland featuring OneRepublic, All American Rejects and Deftones. Wells’ career has transcended sonic guidance, as the fluent guitarist, bassist, drummer and keyboard player has...
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