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Steve Genewick

  • 1h15

Staci Griesbach
"White Lightning"

Mixing in Atmos #2

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Trailer

Mixing in Atmos #2

Part 1
00:17:17

Stereo to Atmos transition, templates, mixing records vs. film, object bed, zones, sample rates

Part 2
00:16:53

Routing changes, phantom centre, translation, binaural settings, perceived distance, reverbs

Part 3
00:20:04

Techniques developed, vocal chain, levels, metering, monitoring, mastering, lack of mix buss

Part 4
00:17:02

Using pre-delay with effects, immersive plug-ins, filtering LFE, remixing projects, home setup

Step inside the legendary Capitol Studios for our second series on mixing in Dolby Atmos! This instalment is hosted by Steve Genewick, a renowned engineer who began exploring this format in 2017 and pioneered a number of techniques. Alongside Ceri Thomas of Dolby Music, Genewick opens the stereo mix session of 'White Lightning' by Staci Griesbach and demonstrates how he transfers the material to a new session for mixing in Atmos. He explains how he changed his Pro Tools stereo mix template for this workflow, and gives you a walkthrough of his routing, inserts, and positioning of tracks using objects and zones. You will learn Steve's method of adapting mono effects plug-ins for Atmos, his binaural parameter settings, how he manages integrated loudness, and much more!

about Steve Genewick

Steve Genewick is an American recording and mix engineer with vast experience in live show and studio environments He has worked primarily out of Capitol Studios in Los Angeles as a staff engineer since 1994, having had the honour of collaborating regularly with the late 23-time Grammy award-winning engineer and producer Al Schmitt.

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