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17 min
Stereo to Atmos transition, templates, mixing records vs. film, object bed, zones, sample rates
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16 min
Routing changes, phantom centre, translation, binaural settings, perceived distance, reverbs
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20 min
Techniques developed, vocal chain, levels, metering, monitoring, mastering, lack of mix buss
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17 min
Using pre-delay with effects, immersive plug-ins, filtering LFE, remixing projects, home setup
Mixing
White Lightning
Staci Griesbach
Song : White Lightning
Duration:16 min / 1h11 Subtitles: English, Spanish, Portuguese, French, Russian, Chinese, Italian
Description
Routing changes, phantom centre, translation, binaural settings, perceived distance, reverbs
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-
-
17 min
Stereo to Atmos transition, templates, mixing records vs. film, object bed, zones, sample rates
-
16 min
Routing changes, phantom centre, translation, binaural settings, perceived distance, reverbs
-
20 min
Techniques developed, vocal chain, levels, metering, monitoring, mastering, lack of mix buss
-
17 min
Using pre-delay with effects, immersive plug-ins, filtering LFE, remixing projects, home setup

About Dolby Atmos
Dolby Atmos is a surround sound technology developed by Dolby Laboratories. It expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects.[1] Following the release of Atmos for the cinema market, a variety of consumer technologies have been released under the Atmos brand, using in-ceiling and up-firing speakers.

About Steve Genewick
Steve Genewick is an American recording and mix engineer with vast experience in live show and studio environments. He has worked primarily out of Capitol Studios in Los Angeles as a staff engineer since 1994, having had the honour of collaborating regularly with the late 23-time Grammy award-winning engineer and producer Al Schmitt. Genewick has worked with countless top-tier acts including Bastille, Elton John, Trisha Yearwood, Diana Krall, Gladys Knight, Neil Young, Quincy Jones, Burt Bacharach,...
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