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01 min
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20 min
Acoustic guitars, drums, parallel processing, kick, snare
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17 min
Drum overheads, additional drum mics, dynamic equalization
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28 min
Sample triggers, parallel compression, reverb sends, distortion, envelope shaping
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19 min
Bass guitar, compression, harmonics, tone shaping, low end philosophy, electric guitars, reverbs
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19 min
Guitar solo, stereo widening, special effects, rhythm guitars, pitch shifting, synthesizers
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21 min
Vocals, de-essing, saturation, dynamic equalization, tape emulation, parallel processing, reverb, delay
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14 min
Background vocals, effects sends, mix bus processing
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19 min
Mix bus processing, glue, template workflow, rough mix comparison
Mixing
That Which Animates The Spirit
The Smashing Pumpkins
Song : That Which Animates The Spirit
Duration:17 min / 2h43 Subtitles: English, Spanish, Portuguese, Italian, Chinese, French
Description
The Grammy-winning engineer returns to explore the mixing of an experimental rock opera by The Smashing Pumpkins. The song features incredible performances by many of the band’s founding members, as well as a special appearance from Brian May of Queen. Thundering percussion, experimental synths and an ensemble of extraordinary guitars… Andrew brings all of these elements together to create a show-stopping mix that is larger than life.
All set up at Rue Boyer Studios, he begins with an in-depth look at the drum kit. With over a dozen microphones to choose from, Andrew slowly builds up his ideal drum mix and provides insight into his decision-making process. You will watch him shape the transients and sustain of the kit using a broad spectrum of processing and triggering techniques. Each step is explained in detail as he works to refine the rhythmic foundations of the track.
He then shifts his focus towards the song’s virtuosic guitar and vocal performances. He carefully sculpts the tone of these instruments and reveals how he creates space for each one in the midrange. Layers of EQ and saturation tie it all together and help to create attitude and excitement in the mix. He goes on to employ more experimental techniques later in the series such as pitch shifting and automated modulation, which completely transform the song’s bridge into a heavy-hitting breakdown.
Once each track has been processed individually, Andrew zooms out to provide a global overview of his process. He walks through his custom-built ProTools template and offers advice for developing a productive workflow in-the-box. No stone is left unturned as he deconstructs each of the bespoke parallel chains that contribute to his signature sound.
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01 min
-
20 min
Acoustic guitars, drums, parallel processing, kick, snare
-
17 min
Drum overheads, additional drum mics, dynamic equalization
-
28 min
Sample triggers, parallel compression, reverb sends, distortion, envelope shaping
-
19 min
Bass guitar, compression, harmonics, tone shaping, low end philosophy, electric guitars, reverbs
-
19 min
Guitar solo, stereo widening, special effects, rhythm guitars, pitch shifting, synthesizers
-
21 min
Vocals, de-essing, saturation, dynamic equalization, tape emulation, parallel processing, reverb, delay
-
14 min
Background vocals, effects sends, mix bus processing
-
19 min
Mix bus processing, glue, template workflow, rough mix comparison
Five-Day Masterclass in Paris
Andrew Scheps will conduct an exclusive five-day mixing masterclass in Paris from 24 - 28 February 2025. The Grammy-winning engineer has altered the course of pop and rock music by pushing the genres into new sonic territory. His work can be heard on iconic records by Jay Z, Red Hot Chili Peppers, Metallica and Adele. The program will feature advanced mixing workshops, listening exercises, and technical discussions designed to challenge and elevate your engineering skills. Andrew will also discuss...
About Andrew Scheps
Andrew Scheps has an incredible career of achievements, which incorporates a credit list featuring Red Hot Chili Peppers, Adele, Metallica, Black Sabbath, Michael Jackson, Robbie Robertson, Justin Timberlake, Iggy Pop, U2, Jay-Z, and many more, as well as several Grammy Awards. Scheps’ work on the Red Hot Chili Pepper’s album Stadium Arcadium in 2005 was a turning point for his approach to engineering. He found the band’s decision to record and mix entirely in analogue so refreshing that he fitted...
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