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01 min
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20 min
Acoustic guitars, drums, parallel processing, kick, snare
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17 min
Drum overheads, additional drum mics, dynamic equalization
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28 min
Sample triggers, parallel compression, reverb sends, distortion, envelope shaping
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19 min
Bass guitar, compression, harmonics, tone shaping, low end philosophy, electric guitars, reverbs
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19 min
Guitar solo, stereo widening, special effects, rhythm guitars, pitch shifting, synthesizers
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21 min
Vocals, de-essing, saturation, dynamic equalization, tape emulation, parallel processing, reverb, delay
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14 min
Background vocals, effects sends, mix bus processing
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19 min
Mix bus processing, glue, template workflow, rough mix comparison
Mixing
That Which Animates The Spirit
The Smashing Pumpkins
Song : That Which Animates The Spirit
Duration:19 min / 2h43 Subtitles: English, Spanish, Portuguese, Italian, Chinese, French
Description
Guitar solo, stereo widening, special effects, rhythm guitars, pitch shifting, synthesizers
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-
01 min
-
20 min
Acoustic guitars, drums, parallel processing, kick, snare
-
17 min
Drum overheads, additional drum mics, dynamic equalization
-
28 min
Sample triggers, parallel compression, reverb sends, distortion, envelope shaping
-
19 min
Bass guitar, compression, harmonics, tone shaping, low end philosophy, electric guitars, reverbs
-
19 min
Guitar solo, stereo widening, special effects, rhythm guitars, pitch shifting, synthesizers
-
21 min
Vocals, de-essing, saturation, dynamic equalization, tape emulation, parallel processing, reverb, delay
-
14 min
Background vocals, effects sends, mix bus processing
-
19 min
Mix bus processing, glue, template workflow, rough mix comparison

About Andrew Scheps
Andrew Scheps has an incredible career of achievements, which incorporates a credit list featuring Red Hot Chili Peppers, Adele, Metallica, Black Sabbath, Michael Jackson, Robbie Robertson, Justin Timberlake, Iggy Pop, U2, Jay-Z, and many more, as well as several Grammy Awards. Scheps’ work on the Red Hot Chili Pepper’s album Stadium Arcadium in 2005 was a turning point for his approach to engineering. He found the band’s decision to record and mix entirely in analogue so refreshing that he fitted...
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