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02 min -
06 minAural warm-up, reference listening, streaming platforms, workflow changes, mentorship
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09 minProfessional relationships, mixing process, staying inspired, networking, looking for new clients
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10 minTeam work, management, loudness, normalization, singles vs albums, replacing masters
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11 minMastering "Island" Caroline Polachek, sonic guidelines, referencing, gear selection, plugins
Pro-Q3, Pro-L2 -
10 minMastering “Houdini” by Dua Lipa, automation, limiting algorithms, referencing, spectral balance
iZotope Ozone 11 -
09 minMastering “The River” by Japan Guitar Shop, creative mastering, tone shaping, dynamic equalization, metering, Ozone comparison
iZotope Ozone 11 -
07 minMastering “Get The Hell Out Of Here” by Maren Morris, level balance, limiting, Mastering “Love Really Sucks” by Stereo Jane, equalization
Pro-Q3, iZotope Ozone 8
Mastering
Workshop
Various Artists
Song : Workshop
Duration:10 min / 1h07 Subtitles: English, Italian, Spanish, Portuguese, Chinese, French
Description
Team work, management, loudness, normalization, singles vs albums, replacing masters
Show more
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-
02 min
-
06 min
Aural warm-up, reference listening, streaming platforms, workflow changes, mentorship
-
09 min
Professional relationships, mixing process, staying inspired, networking, looking for new clients
-
10 min
Team work, management, loudness, normalization, singles vs albums, replacing masters
-
11 min
Mastering "Island" Caroline Polachek, sonic guidelines, referencing, gear selection, plugins
Pro-Q3, Pro-L2 -
10 min
Mastering “Houdini” by Dua Lipa, automation, limiting algorithms, referencing, spectral balance
iZotope Ozone 11 -
09 min
Mastering “The River” by Japan Guitar Shop, creative mastering, tone shaping, dynamic equalization, metering, Ozone comparison
iZotope Ozone 11 -
07 min
Mastering “Get The Hell Out Of Here” by Maren Morris, level balance, limiting, Mastering “Love Really Sucks” by Stereo Jane, equalization
Pro-Q3, iZotope Ozone 8
About Chris Gehringer
Chris Gehringer is an American mastering engineer born in Teaneck, New Jersey and raised in Bergen County. He attended the Institute of Audio Research after high school, then landed his first music industry job at Greene Street Recording. From there, he went on to work as a cutting assistant at Trutone Records. In 1985, Gehringer joined Frankford-Wayne Mastering, then moved to the Hit Factory in 1988 where he spent twelve years. During his time there he mastered a number of landmark releases in...
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