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02 min -
15 minScheduling, speed, microphone choice & placement, noise floor, speaker setup, room correction
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06 minVirtual sound check, desk recordings, time delay, dynamic control, mastering the band, orchestra, & playback
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07 minMonitor engineering, binaural audience mix, enhancing player connection, blending live & playback material
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07 minGain structure, headroom, countering bass build-up, compression, gating, taming harshness, cohesiveness
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11 minConsole specs, software vs. hardware processing, fibreoptic loop, equipment racks, radio frequency
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10 minSet design, instrument layout, time & phase alignment, calibration, pre-EQ, venue acoustics, troubleshooting
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16 minTimecode snapshots, instrument groups, VCAs, multi-band compression, treatment on multi-tracks
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10 minSoloist presence, percussion detail, channel input delays, Haas effect on panning & timing
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19 minFull sound check, equalization, automation cues, sound vs. feeling, valve saturation, conductor communication
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17 minMix buss, single vs. multi-band compression, IEMs vs. cabinets, monitor mix alterations, performance style
Mixing
The World Of Hans Zimmer
Hans Zimmer
Song : The World Of Hans Zimmer
Duration:11 min / 2h04 Subtitles: English, Spanish, Portuguese, Italian, Russian, Chinese, French
Description
Console specs, software vs. hardware processing, fibreoptic loop, equipment racks, radio frequency
Show more
Show less
-
02 min
-
15 min
Scheduling, speed, microphone choice & placement, noise floor, speaker setup, room correction
-
06 min
Virtual sound check, desk recordings, time delay, dynamic control, mastering the band, orchestra, & playback
-
07 min
Monitor engineering, binaural audience mix, enhancing player connection, blending live & playback material
-
07 min
Gain structure, headroom, countering bass build-up, compression, gating, taming harshness, cohesiveness
-
11 min
Console specs, software vs. hardware processing, fibreoptic loop, equipment racks, radio frequency
-
10 min
Set design, instrument layout, time & phase alignment, calibration, pre-EQ, venue acoustics, troubleshooting
-
16 min
Timecode snapshots, instrument groups, VCAs, multi-band compression, treatment on multi-tracks
-
10 min
Soloist presence, percussion detail, channel input delays, Haas effect on panning & timing
-
19 min
Full sound check, equalization, automation cues, sound vs. feeling, valve saturation, conductor communication
-
17 min
Mix buss, single vs. multi-band compression, IEMs vs. cabinets, monitor mix alterations, performance style
About Colin Pink
Colin Pink is a British live sound engineer, sound designer, and project manager with numerous awards and over thirty years of experience. His foray into sound began in high school, where he developed a passion for the technical aspects of theatre and performance. After graduating from the Guildhall School of Music and Drama, Pink spent about a decade working at The National theatre in London. He became the sound supervisor at The Olivia stage, and honed his craft in theatre sound design before...
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