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15 minRough mix, ITB vs. console, stereo buss chain, starting parameters, converter clipping, analyser
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20 minParallel processing, kick & bass relationship, drum buss, transients, EQ, saturation, dynamics
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17 min‘KSB’ auxiliary, compression discussion, resolution, gain structure, drum tracking, room tones
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19 minVarying equalisers, drums cohesiveness, reverbs, taming harshness, filtering, sidechain gating
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07 minPercussion group dynamics, bass levels on mix buss, plate reverb preferences for claps
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17 minRhythm guitar EQ, high end saturation, dynamic control, knee settings, time adjustment for phase
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16 minLead guitar panning, reverb, delay, adding presence, low end reinforcement, subharmonic synthesis
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21 minLead vocal chain, de-esser types, aural excitement, pitch-shifting, width, effects, parallel compression
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15 minMix buss EQ, tape emulation, metering, transient design on synth, resonant filtering on organ
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07 minBackground vocal compression, saturation, filtering, tape formula discussion & audition
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14 minRiding drum ambience levels, drawing automation on tom tracks, bass guitar levels, EQ adjustments
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26 minAdding “extra sparkle”, guitar automation, vocal rides, compression changes, Moog bass, toms EQ
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26 minVocal effects automation, clarifying BVs, distortion, modulation, soloing groups, mix buss recap
Mixing
Nicole
Louis Berry
Song : Nicole
Duration:16 min / 3h46 Subtitles: English, Spanish
Description
Watch a session being mixed ‘in the box’ from start to finish by the renowned producer, engineer, and mixer Jacquire King! This series focusses on the highly energetic song ‘Nicole’ by Louis Berry. King tackles the project to infuse movement, enhance perceived loudness, and bring more clarity to the musically dense arrangement. He plays the rough mix, explains why he chose to mix fully ITB, and reveals the stereo buss processing he starts with for his top-down approach. Jacquire proceeds to work on aspects of the separate tracks and groups, bringing out the strongest qualities in a diversity of instruments including live drums, bass, guitars, percussive elements, organ, and synthesisers. You’ll see how he adds excitement, tames harshness, optimises phase relationships, writes automation, and much more!
Show more
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15 min
Rough mix, ITB vs. console, stereo buss chain, starting parameters, converter clipping, analyser
-
20 min
Parallel processing, kick & bass relationship, drum buss, transients, EQ, saturation, dynamics
-
17 min
‘KSB’ auxiliary, compression discussion, resolution, gain structure, drum tracking, room tones
-
19 min
Varying equalisers, drums cohesiveness, reverbs, taming harshness, filtering, sidechain gating
-
07 min
Percussion group dynamics, bass levels on mix buss, plate reverb preferences for claps
-
17 min
Rhythm guitar EQ, high end saturation, dynamic control, knee settings, time adjustment for phase
-
16 min
Lead guitar panning, reverb, delay, adding presence, low end reinforcement, subharmonic synthesis
-
21 min
Lead vocal chain, de-esser types, aural excitement, pitch-shifting, width, effects, parallel compression
-
15 min
Mix buss EQ, tape emulation, metering, transient design on synth, resonant filtering on organ
-
07 min
Background vocal compression, saturation, filtering, tape formula discussion & audition
-
14 min
Riding drum ambience levels, drawing automation on tom tracks, bass guitar levels, EQ adjustments
-
26 min
Adding “extra sparkle”, guitar automation, vocal rides, compression changes, Moog bass, toms EQ
-
26 min
Vocal effects automation, clarifying BVs, distortion, modulation, soloing groups, mix buss recap
About Jacquire King
Jacquire King’s projects include Tom Waits, Modest Mouse, Dawes, Of Monsters and Men, Buddy Guy, Norah Jones, Kings of Leon, Josh Ritter, Cold War Kids, Punch Brothers, Editors, Robert Ellis, James Bay and Melissa Etheridge. His talents as a producer, engineer, and mixer have been recognized with three Grammy Awards. His multi-platinum selling work has received nearly 30 Grammy Award nominations. King is widely known for working in the Americana genre. The country scene in Nashville is part of...
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