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25 minBass drum – resonant & beater side, attack & sustain, mic preferences, phase, signal ducking
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16 minSnare – top & bottom side, condenser vs. dynamic mics, separation, positioning, expansion
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16 min
Toms – perspective, mic pairs, level blending, summing, polarity, mic preferences
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12 minOverheads & Stereo Room – cymbal capture, high end detail, peak limiting, Blumlein
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13 minAmbient Pair – distance, bandwidth, elevation, Haas effect, boundary principle, delay
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05 minInternal phase relationships, absolute & microphone polarity, amplifier stages
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21 minSignal flow to console & tape, VU & peak metering, processing, calibration, recording
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08 minCompressor circuitry, parameters, preferred settings, limiting, dual mono vs. stereo
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12 minRoom ambience, studio design, reflections, acoustic treatment, symmetry, material
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04 minDemonstration of simplified recording setup using only three microphones
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11 minDiagrams of ambient mic positioning with regards to boundary principle & Haas effect
Recording
Tracking Drums
Duration:13 min / 2h28 Subtitles: English, Spanish, Portuguese
Description
Ambient Pair – distance, bandwidth, elevation, Haas effect, boundary principle, delay
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25 min
Bass drum – resonant & beater side, attack & sustain, mic preferences, phase, signal ducking
-
16 min
Snare – top & bottom side, condenser vs. dynamic mics, separation, positioning, expansion
-
16 min
Toms – perspective, mic pairs, level blending, summing, polarity, mic preferences
-
12 min
Overheads & Stereo Room – cymbal capture, high end detail, peak limiting, Blumlein
-
13 min
Ambient Pair – distance, bandwidth, elevation, Haas effect, boundary principle, delay
-
05 min
Internal phase relationships, absolute & microphone polarity, amplifier stages
-
21 min
Signal flow to console & tape, VU & peak metering, processing, calibration, recording
-
08 min
Compressor circuitry, parameters, preferred settings, limiting, dual mono vs. stereo
-
12 min
Room ambience, studio design, reflections, acoustic treatment, symmetry, material
-
04 min
Demonstration of simplified recording setup using only three microphones
-
11 min
Diagrams of ambient mic positioning with regards to boundary principle & Haas effect
About Steve Albini
Steve Albini was a well-known engineer, mixer, and studio owner who lived and worked at Electric Audio studio in Chicago, Illinois. Steve Albini was also the guitarist and main singer of the grunge band Shellac. Albini continued to work almost entirely in the analogue domain, being known for recording "live in the studio" as much as possible. He also placed particular emphasis on the selection and use of microphones in achieving a desired sound, and to best capture the ambience. In 2004, Albini...
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