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02 min

Trailer
13 min

Part 1

Instruments, collaboration, resampling, resynthesis, synths, bass, guitar

Wave PPG, Melodyne, MetaSynth, Ableton Operato
10 min

Part 2

Workflow, sound replacement, vocals, effects, mixing
AKG C12, SM7
12 min

Part 3

Drums, sampling, percussion, sound design, creative limitations

ATC, Amphion, ADAPTR Sculpt
06 min

Part 4

Mix bus, monitoring, balance, compression, expansion
10 min

Part 5

Songwriting process, harmony, programming, referencing, track completion
18 min

Part 6

Mixing workflow, album comparison, artistic evolution, signature sound, cultural influence

Quadrafuzz

Production

Neverender

Justice

JUSTICE

Join

Song : Neverender

Duration:06 min / 1h14 Subtitles: English, Portuguese, Spanish, Chinese, Japanese, French, Italian

Description

Mix bus, monitoring, balance, compression, expansion

Show more

02 min

Trailer
13 min

Part 1

Instruments, collaboration, resampling, resynthesis, synths, bass, guitar

Wave PPG, Melodyne, MetaSynth, Ableton Operato
10 min

Part 2

Workflow, sound replacement, vocals, effects, mixing
AKG C12, SM7
12 min

Part 3

Drums, sampling, percussion, sound design, creative limitations

ATC, Amphion, ADAPTR Sculpt
06 min

Part 4

Mix bus, monitoring, balance, compression, expansion
10 min

Part 5

Songwriting process, harmony, programming, referencing, track completion
18 min

Part 6

Mixing workflow, album comparison, artistic evolution, signature sound, cultural influence

Quadrafuzz

Comments

(17)

Fabian Rangel February 26, 2025 at 5:58 AM

“It
Zach Shlien February 2, 2025 at 1:53 PM

I don’t understand the layering of chords. They had different voicing on chords and combined them in the final mix?
Alessandro Clemente February 17, 2025 at 4:34 PM

Besides layering different chord voicings, I think it has to do more with layering different velocity (each velocity has different tone to it, besides volume) and stacking the same chord with different aliasing each time it's like adding distortion and fatness to the whole chord sound in a more natural way, just like mixers use analog summing in all their tracks. Just guessing, tho.
Coty James January 22, 2025 at 9:13 PM

Very cool
Alex Webb January 22, 2025 at 8:03 PM

it tooks a lot of guts on my end to click play on those outfits
Anna van Grimbergen January 20, 2025 at 12:58 PM

LEGENDARY content! Thank you so much, Justice! What a privilage to hear this in 2025, growing up to Daft Punk, Uffie, Cassius etc. and loving each and every one of your different albums. And yes, Ed Banger you're def carrying on the LEGACY! Now i'll go and mess around with my synths in Melodyne... //Much love from Sweden
Ross January 19, 2025 at 9:39 PM

So much butter used on this track!
Brad Power January 17, 2025 at 1:34 PM

This is great - love seeing new methods/plugins like Melodyne for Compression and Sculpt.
Eric Herbig January 16, 2025 at 4:50 PM

spoken volume too low compared to music
Micah Smith January 14, 2025 at 11:13 PM

too much camera movement and editing during simple interviews. Chill out.
Scott Belanger January 13, 2025 at 6:07 PM

Are they french?
Christophe Collard February 22, 2025 at 10:18 AM

Yes
Tim Graham January 9, 2025 at 10:41 PM

Thank you for a great video! For me the biggest takeaway was: With each element added, the value of every other part is diminished.
Denzel Kelemete January 9, 2025 at 10:11 AM

Finding out Kevin uses an SM7 made me so happy! Lets goo! Please invite Kevin to do a Tame Impala Breakdown!!
Braulio Conde January 28, 2025 at 8:45 PM

x2
Yannis Masouras January 8, 2025 at 11:18 PM

Tinkering with Melodyne! Super-inspiring! Merci
Sylvain Mayoli January 8, 2025 at 8:39 PM

Gold!

About JUSTICE

Justice is a French Grammy-winning electronic music duo consisting of Gaspard Augé and Xavier de Rosnay. The friends formed the project in 2003 while they were both studying graphic design. The band's debut album 'Cross' was released in June 2007 to critical acclaim. It was nominated for a Grammy award for Best Dance/Electronic Album, came in at #15 on Pitchfork's Top 50 Albums of 2007, and #18 on Blender's '25 Best Albums of 2007' list. It was also nominated for the 2007 Shortlist Prize, losing...